Psychoacoustics and in room target response

The Physics of Perception:

Sound travels as waves, characterized by properties like frequency (pitch) and amplitude (loudness). Psychoacoustics delves deeper, examining how our ears and brains interpret these physical properties to create the auditory experience we know.

Key Concepts in Psychoacoustics:

Applications of Psychoacoustics:

The principles of psychoacoustics have numerous practical applications:

Practicals Studies

Dr. Floyd E. Toole’s studies indicate that listeners tend to prefer a decay in the high frequencies and a smooth change in directivity index (DI), even though the DI should increase in very high frequencies (making the speaker more directive near 7/8 kHz).

PREFERRED IN ROOM TARGET FOR LOUDSPEAKER

To mitigate the conclusion about the significant decay in frequency response, it should be noted that the Revel speaker’s 120° radiation pattern used here is often too wide for many listening spaces and typical listening distances.

This wide dispersion contributes to the desired attenuation, but a more tailored coverage and a better energy balance will have reduce the severity of the frequency response decay.

Bellow this very high frequency decay the radiation must be constant and controlled as lower as possible, without major accidents or diffraction.

With a horizontal polar relative to 0°, it will look like this, with no abrupt change when we lose control at high frequencies:

ideal CD

We select a horn with an opening coverage adapted to the listening distance and room acoustics, while the woofer’s direct radiation pattern remains fixed.
Because of this, their directivity characteristics differ at certain frequencies.
To avoid abrupt changes in directivity, the crossover frequency is chosen where both the horn and woofer have similar radiation patterns: where the horn loses its wide directivity and the woofer starts to become more directional.
This ensures a smooth transition between the two drivers, as explained in the Directivity Match article.

The primary goal is to adapt coverage to listening distance and acoustics without causing an abrupt change in the Directivity Index.

Conclusion:

Psychoacoustics plays a crucial role in shaping our auditory world, but a one-size-fits-all ideal target curve does not exist, as it depends of your acoustics, listening distance and speaker directivity so each “curve” is unique as seen in last point in how to implement my horn and my speaker, do not try to match a generic target curve at listening position.

By understanding the intricate relationship between sound waves and human perception, we can not only appreciate the science behind hearing, but also leverage this knowledge to improve sound design, enhance listening experiences.

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