Mid-range beaming and narrowing

The Challenge of Midrange Response

In loudspeaker design, achieving a smooth and balanced frequency response across the entire spectrum is a continuous pursuit. One specific challenge lies in the midrange frequencies (typically around 1 kHz).

Here, two unwanted phenomena can significantly impact the sound and his power response: midrange narrowing and beaming.

Here we can see a not fully optimised end of profile resulting a narrowed mid-range in 1kHz region :

ideal CD

Whatever the horn, wageguide, integrated on baffle or not, the contour must be fluid in all directions.

Here is a very good elliptic waveguide with a slightly rounded traditional baffle where mid-range beaming and mid-range narrowing are still visible :
ideal CD
Then the same wave guide (but 0.5" tinier) integrated with a fluid profile :

ideal CD

Midrange Narrowing: A Dip Caused by Diffraction

Midrange narrowing refers to a decrease in sound pressure at specific midrange frequencies.

This occurs due to edge diffraction. When sound waves traveling from the driver encounter the sharp edges of the speaker baffle, they bend around these obstacles.

This bending disrupts the wavefront, causing destructive interference at certain wavelengths (frequencies). These wavelengths correspond to the dip observed in the midrange response of the speaker, affecting both on-axis and off-axis.

Here is an exemple about how to solve it:

next gen bi-radail

Midrange Beaming: Uneven Radiation Due to Diffraction

While midrange narrowing represents a loss of sound pressure, another effect of edge diffraction is midrange beaming. This phenomenon describes the concentration of sound pressure in specific off-axis directions.

The bending of sound waves can lead to constructive interference at certain angles, resulting in peaks in the off-axis response. However, in other off-axis locations, destructive interference can occur, causing dips.

This creates an uneven sound radiation pattern, compromising the overall soundstage and affecting listeners at various positions.

The Impact on Listening Experience

The combined effects of midrange narrowing and beaming can significantly alter the way we perceive sound. Here’s how:

Optimizing Baffle Design for Smooth Midrange

To address these challenges and achieve a smooth midrange response, loudspeaker designers employ various strategies:

4mm radius

For flat baffles, a simple round-over return might not be sufficient. In those cases, designers may employ profile acceleration and deceleration, this involves a gradual transition from the horn’s curvature to the flat surface of the baffle, minimizing the impact of abrupt changes on the wavefro

Advanced Design Techniques

Modern loudspeaker design tools like Finite Element Analysis (FEA) simulations allow for precise modeling of baffle shapes and their impact on sound radiation. This facilitates the optimization of baffle profiles to minimize diffraction effects and achieve a smooth, balanced midrange response.

Exception: Low midrange horns

Low midrange horns, typically wide horns (around 1 meter) used between 800 and 250 Hz, are a special case:

In this case, it’s more advantageous to exploit the midrange narrowing by introducing a more abrupt change. This will make the horn less usable above 900 Hz but will allow for a deeper horn, resulting in better loading.

This approach will also extend low-frequency control and loading as far as possible but is only applicable in this special case.

next gen bi-radail

Managing Midrange Narrowing for Optimal Directivity

1. Free Field Case

Smooth horn and waveguide design

For a horn or waveguide, we simply use a rounded edge with a smooth, continuous profile along the axis of wave propagation, without any abrupt changes in depth, ensuring a consistent progression of the wavefront.

Woofer directivity and baffle size

In the woofer case, his directivity approximates similar sized horn directivity at crossover if the enclosure is just large enough to house the driver:

The well-positioned midrange narrowing generated by the woofer box, together with the driver’s natural directivity, helps maintain control over midrange dispersion and ensures that the sound radiates evenly, preserving the intended directivity.

Making the baffle too large makes it impossible to achieve an optimal directivity match with the horn, because the wavefront at the mouth interacts with the 180° surface and the larger box shifts the midrange narrowing to a lower undesired frequency.

Wavefront distortions with oversized baffles

At mid and high frequencies, a too-large baffle will distort the wavefront leaving the mouth.
This happens because part of the sound energy propagates at very shallow angles along the wall (quasi-lateral wave), while abrupt edges excite evanescent near-field components.
The combination of these effects with the main propagating wave alters the overall wavefront, leading to uneven radiation and degraded directivity across a wide angular range.

Directivity transition of a woofer

A front baffle acts as a 180° horn, but the natural directivity of the mid-woofer is below 180°, except at very low frequencies and depending on its emissive size.
The directivity of an emissive source is determined by the size of its emissive area: at low frequencies, where the entire cone moves in a nearly pistonic manner, the dispersion is wider. As the frequency increases, the directivity gradually becomes more constrained as it approaches the transition frequency (which can be estimated by f_transit ≈ c / (2 * π * R)). At this point, the effective radiating diameter begins to limit the dispersion, and this is where we apply the crossover to the horn.

This transition is large and is influenced by the baffle.

At mid and high frequencies, the interference between the main propagating wave, the quasi-lateral wave along the wall, and evanescent near-field components will alter the apparent wavefront, giving the impression of distortion across a wide angular range.

Matching woofer and horn directivity

For a mid-woofer, a well-placed midrange narrowing, in combination with the woofer’s natural directivity, allows the woofer’s directivity to match the horn’s directivity at the crossover.

This approach does not apply to compression driver horns or tweeters, where midrange narrowing must be minimized or eliminated.


2. In-Wall Case

Directivity behavior in wall installations

In this case, the wall behaves as a 180° (or less in a corner) horn, providing very good constant directivity control at low frequencies.
However, at the crossover frequency, it can cause a significant divergence between the directivity of the horn and the woofer. A flat wall will give around 140° when the horn should be close to 90°.

Note: The in-wall installation doesn’t mean it’s no longer important to aim the speaker toward the listening position. The speaker must still be oriented correctly, meaning the front wall should not be flat but rather custom-built to accommodate this orientation.

A simpler approach is to respect our Free field principles with a just large enough baffle and using an absorptive front wall following it.

Wavefront behavior with a hard wall

When a waveguide is mounted flush in a rigid wall, the wavefront leaving the mouth does not radiate freely into space. Part of the sound propagates at very shallow angles along the wall surface, forming a quasi-lateral wave, while the abrupt edge of the opening excites evanescent components in the near field.

The resulting sound field is a superposition of three contributions: the main propagating wave into free space, the quasi-lateral wave along the wall, and the evanescent near-field components. The interference between these contributions modifies the phase and curvature of the wavefront, giving the appearance that it “tears” with distance.

The apparent distortion depends on the size of the mouth relative to the wavelength and the distance from the waveguide. The evanescent components decay over a few wavelengths, and the quasi-lateral wave disperses gradually.

At low frequencies, when the wavelength is larger than the size of the horn, the angular spectrum narrows, the high spatial components are not excited, the lateral wave becomes negligible, and the evanescent contributions vanish quickly.
→ The radiation then approaches that of a regular half-space (2π sr), with a stable, undistorted wavefront.

Solution: absorptive treatment

A porous or absorptive material around the horn and emissive high/low frequencies device, will reduce the energy of high spatial components, attenuate the lateral wave, and suppress evanescent fields, resulting in a field dominated by the main propagating wave and a stable directivity.

In all cases, the front wall must be absorptive and flush with the speaker enclosure. It also plays a major role in room acoustics.

If the in-wall cannot be made of absorbing materials, using the Free field solution as described will be preferable, as the perception of the room or wall acting as a horn is an illusion.

Conclusion

Understanding midrange narrowing and beaming caused by edge diffraction is crucial for achieving optimal sound quality in loudspeakers. By employing careful baffle design techniques and advanced simulation tools, designers can create speakers that deliver a natural and detailed listening experience across the entire frequency spectrum, for both on-axis and off-axis listeners.

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